Written by Jon Williams
Forty years
ago today, on May 25, 1977, Star Wars
opened in just thirty-two theatres across the United States. That number
quickly expanded as the film took off, and many theatres were still showing the
film on its first anniversary. A lot has changed in the intervening years—even
that first movie’s title, which has expanded to Star Wars Episode IV: A New Hope—but the voracious appetite that
fans have for stories set in the galaxy far, far away has not abated. Luckily,
there’s a wealth of new material coming out.
Fans at the
recent Star Wars Celebration in
Orlando, as well as those streaming the event live around the world, were
treated to the first teaser trailer for Star
Wars Episode VIII: The Last Jedi. Releasing in December, this will be the
second in the new trilogy that picks up the story of the galaxy thirty years
following the events of Return of the
Jedi. The first installment, The Force Awakens, brought in nearly
$1 billion at the box office in North America alone, and more than $2 billion
globally. It came out in 2015; the most recent Star Wars movie, Rogue One, the first standalone,
non-trilogy film, leads directly into the events of the original Star Wars.
Those who
attended Celebration also got a first look at the upcoming fourth season of Star Wars: Rebels, the animated show
that follows a small band of freedom fighters in the early days of the Rebel
Alliance’s fight against the Galactic Empire. Show creator Dave Filoni also
announced that the upcoming season will be the show’s last. The third season
featured characters that appeared in Rogue
One, such as Rebellion leader Mon Mothma and renegade Saw Gerrera, who was
first introduced in Star Wars: Clone Wars.
The third
season of Rebels also brought back
Grand Admiral Thrawn, a beloved character from the old expanded universe that
was wiped out to make way for new stories with Disney’s acquisition of Lucasfilm
and the Star Wars franchise. Thrawn’s
original entrance came in 1991’s Heir to the Empire, the popular
novel by Timothy Zahn that revived interest in Star Wars and can be credited for everything that has come since.
With the character coming back into the universe, Zahn stepped in once again to
write a
novel, released in April, detailing how the Grand Admiral rose to his rank
in the Imperial military.
Novels and
short stories are a great source of new stories in the Star Wars universe. Chuck Wendig’s recently concluded Aftermath trilogy picks up shortly
after the destruction of the second Death Star and details the fall of the
Empire and the first seeds of the First Order rising in its place. James
Luceno’s Catalyst serves as a prequel to Rogue One, while Rebel Rising by Beth Revis and Guardians of the Whills by Greg Rucka (both unavailable on
audio but available in eBook format on hoopla digital) give back stories for
some of that movie’s heroes. Finally, releasing in October and celebrating
forty years of the original Star Wars
movie, From a Certain Point of View
explores iconic scenes from that movie from the perspectives of background
characters.
The
popularity of Star Wars means that
patrons will always be looking for the latest materials in your library.
SmartBrowse on our website for more, and don’t forget to remind patrons that
they can look on hoopla
for even more Star Wars audiobooks,
eBooks, comics, and music.
Written by Jon Williams
Call it a
hunch, but we’re guessing that a lot of your patrons are Stephen King fans.
Luckily for those patrons, there’s plenty of recent and upcoming King material
to keep them quivering in fear for quite some time.
To start, we
need to go back almost to the very beginning. Now, of course, King is a
well-known, bestselling author with more than fifty books to his credit, but that
wasn’t always the case. The Dead Zone
was just the fourth novel King published under his own name. Released in 1979, it
deals with a young man both gifted and cursed with psychic abilities after a
catastrophic car accident. The novel spawned both a 1983 movie and a 2002 TV
series that ran for six seasons, but it has never been available in
audiobook format until
now. This classic is narrated by actor James Franco.
There’s also
plenty of new material from King. His latest release, out this week, is Gwendy’s Button Box, a novella
written with help from publisher, editor, and fellow horror writer Richard
Chizmar. The story takes place in Castle Rock, Maine, a familiar setting for
King fans. The Dead Zone was set in
Castle Rock, as were Cujo, The Dark Half, and a number of
novellas and short stories scattered throughout his collections. The 1991 novel
Needful Things was originally billed
as “the last Castle Rock story,” but apparently he wasn’t done with the little
town after all.
And that’s
not the only collaboration King has on his docket. Coming this September is Sleeping Beauties, a new novel
written in tandem with his son Owen King. It details a dystopian future in
which all women (except one!) fall prey to a strange cocooned state while they
sleep, and men are left to their own devices. Of course, King is no stranger to
this type of collaboration, having teamed up with his other son, author Joe
Hill, for the short stories “Throttle”
and “In
the Tall Grass.”
As popular
as his books are, when it comes to Stephen King, they’re only part of the
story. Another part is all the adaptations that have taken his work from the
page to screens both big and small. In that regard, there’s a pretty full slate
on the horizon. First up is The Mist,
a ten-episode series premiering on Spike on June 22. The novella, available on
its own or collected with other short stories in Skeleton Crew, was previously made
into a movie in 2007. Then, on August 9, Mr.
Mercedes comes to the Audience Network, based on the first
book of a trilogy
King wrote about a retired detective facing off against a twisted killer.
In addition
to regular TV, fans can also look to the streaming services for some upcoming
adaptations. Coming to Netflix later this year is Gerald’s Game, the story of a woman
who is trapped handcuffed to a bed after her husband dies suddenly. Much of the novel
takes place within main character Jessie Burlingame’s head, so it will be
interesting to see how it translates to the screen. Also coming to Netflix in
2017 is 1922, about a man who is convinced his murdered wife is haunting him.
It’s based on a novella in Full Dark, No Stars, which also
contains the story that was the basis for the movie A Good Marriage. Then, beginning
production later this year with no set debut date, is the Hulu series Castle Rock. Not much is known about it
other than the setting, the small Maine town mentioned above, but the first
teaser contained elements of King classics like Misery and plenty of others.
And speaking
of King classics, one of the biggest (both literally and figuratively) is
coming to theatres on September 8. It, the epic novel about a
shape-shifting creature that feeds on children and the gang of outcast kids
that decide enough is enough, has engendered a fear of clowns in readers since
its release in 1986. It’s a whopper: the print edition comes in at over 1,000
pages, and the audiobook narration takes up 35 discs. A previous adaptation
came in the form of a 3-hour
miniseries in 1990, and this time around will be split into two feature
films, with the second installment coming in 2018.
And then
there’s The Dark Tower…but we’ll have
more to say about that soon. In the meantime, make sure you have plenty of
Stephen King material on your shelves for patrons to explore and enjoy as these
new works and adaptations come along. And don’t be surprised if some of them
ask you if they can check out a nightlight, too.
Written by Jon Williams
Based on a series
of memoirs by Jennifer Worth, the hit TV show Call the Midwife focuses on a group
of midwives and nuns working at Nonnatus House, a convent in post-WWII London.
The show debuted to high ratings in 2012, and it has steadily gained popularity
ever since. The sixth
season currently airing on PBS (it concluded in March on BBC One in the UK)
takes place in 1962 and sees the first effects of the cultural changes that
took place in that tumultuous decade.
This sixth
season is notable for another reason, as it will be the last as a series
regular for Ben Caplan. The actor, who previously starred in HBO’s World War II
drama Band of Brothers, has played
policeman Peter Noakes since Call the
Midwife’s first season in 2012. He’s looking to add some more variety to
his acting career, but fans can rest easy. With the show already renewed
through Season 9, Caplan is certain that his character will resurface somewhere
down the line. The same is true of another fan-favourite that left the series
previously. Miranda
Hart, who played Sgt. Noakes’s wife Chummy, left the show after Season 4.
Like Caplan’s character, a reappearance for Chummy is not out of the question
for the show’s future.
British
period dramas are very popular for PBS right now. The trend got rolling with Downton Abbey, which ran for six
seasons beginning (on PBS) in 2011. That show was both critically acclaimed and
very popular, leading the way for the current wave of shows, including Call the Midwife. The series Poldark follows a man returning to
the shattered remains of his former life in Cornwall following America’s
Revolutionary War. Beginning in 2015, it’s an update of a 1975
BBC series, and both are based on a series
of novels by Winston Graham. Beginning earlier this year, Victoria details the early life of
the UK’s long-serving queen. Former Doctor
Who companion Jenna
Coleman plays the role of the queen in question, and there’s also a companion
novel by show creator Daisy Goodwin.
Of course,
the phenomenon isn’t limited to just PBS. With the popularity of these shows
and others like them, it’s no surprise that the streaming services have jumped
in to bring some to their audiences as well. When the show Ripper Street was threatened with
cancellation after its second season, it was picked up by Amazon Video in the
UK (the series has been available on BBC America in North America). Focusing on
the aftermath of Jack the Ripper’s reign of terror, the recently concluded
sixth season was the show’s last. Still in progress, on the other hand, is Peaky Blinders, a show about a
criminal organization in the days after World War I. The first three seasons
are available from Netflix in the US, and at least two more seasons are in the
offing.
This is just
a small sampling of the period dramas that are so popular right now. TV lovers
will love to see these in your library so they can check them out and
binge-watch, and that’s especially true for shows on cable and streaming
services, which everyone may not have access to. What’s popular in your library
right now? Let us know your patrons’ current favourites in the comments section
below.
Written by Jon Williams
First off, a
happy belated birthday to the author, who turned 70 last week. As a librarian, you are no doubt aware of
Patterson’s prolific nature and his constant presence on the bestseller lists.
Have you ever wondered, though, exactly how he manages to put out so many
books?
Patterson
published his first novel, The
Thomas Berryman Number, in 1976, before he turned 30, but it wasn’t an
easy road. He had a full-time job in advertising as he wrote it, and the novel
was rejected 31 times before it finally found a home. It won the 1977 Edgar
Award for Best First Novel by an American Author, but did not sell many copies.
Nevertheless, his career path was set. For the next twenty years, he continued
to work in advertising as he wrote novels, including two of his best known: Along
Came a Spider and Kiss
the Girls.
Those two
novels introduced detective Alex Cross, one of Patterson’s most lucrative
creations. As of now, there are 25 Cross
novels, the most recent of which, Cross
the Line, was published in November. The character has also made the
jump to the big screen: Kiss the Girls
(1997) and Along
Came a Spider (2001) starred Morgan Freeman; then, in 2013, the
character was rebooted in Alex
Cross, with Tyler Perry in the title role. That movie was based on
Patterson’s 2006 novel Cross,
and a second movie starring Perry is in production based on 2007’s Double Cross.
For twenty
years after The Thomas Berryman Number
was published, Patterson continued to work full-time as he wrote. He retired from
advertising in 1996 (although he continues to be involved in campaigns for his
own work). In those twenty years, he published eight novels. Following his
retirement, his publication pace really picked up. In 1996 alone, he released
three novels: Hide & Seek, Miracle on the 17th Green,
and Jack
& Jill. Since then, not a year has passed without the publication
of at least one Patterson book, and most years have featured several.
How does he
do it? For one thing, the writing in Patterson’s books is relatively simple,
streamlined for maximum readability. Secondly, he has turned his books into a
cottage industry, collaborating with a number of other writers to produce many
of them. This
2015 article in Vanity Fair
describes the process, in which Patterson provides his collaborator with an
extensive outline that details the plot from beginning to end, and then revises
and rewrites the manuscript to his specifications once it is fleshed out. Some
of his collaborators have included Richard
DiLallo, Mark
Sullivan, Michael
Ledwidge, Liza
Marklund, and Maxine
Paetro. Patterson’s most recent novel, Black
Book, published earlier this week, is a collaboration with David
Ellis.
Part of the
strategy behind Patterson’s writing style is his intention to appeal to an
audience that may not otherwise be interested in reading, as a way of promoting
literacy. When he noticed that his own son Jack was a reluctant reader,
Patterson decided to jump into the arena of young adult literature. Thus, in
2005, the Maximum
Ride series was born with the
first book, The
Angel Experiment. Now his involvement in the genre has grown to include
seven more series (including Middle
School, which led to the recent feature
film) as well as quite a few standalones. Lately, Patterson has turned his
attention to adults as well, launching a series of Bookshots:
short, exciting reads that can be easily consumed in one sitting (and although
he’s not as involved in the writing process, there’s also a line of Bookshots
Flames aimed at romance readers).
So that’s
the “secret” behind how James Patterson writes to many books. Needless to say,
such a large share of the market has made him quite a wealthy man, and he has
put a substantial amount of that money where his mouth is, donating large sums
to fund scholarships and literacy programs, in addition to launching ReadKiddoRead, a website devoted to
providing resources to parents in the effort to pass the joy of reading to
their kids. That being the case, there’s really not much else to say, other
than: Go, James, go! To share more of his impressive oeuvre with your patrons,
SmartBrowse his name on our website, and point them toward our collection of
his audiobooks on hoopla
digital.
Written by Jon Williams
Classic rock
fans are in for a treat—or, more accurately, two treats—over the course of the
next two New Music Fridays. Two rock legends are releasing remastered and
expanded versions of albums that came out in the 1980s.
First up,
available tomorrow, is Paul
McCartney’s Flowers in the Dirt. Originally
released in 1989, it was McCartney’s eighth solo album (or fifteenth, if you
include his Wings outings) after the dissolution of the Beatles. Ever the
collaborator, Sir Paul enlisted the help of Elvis
Costello for this album, and together the two co-wrote four tracks. The
special edition reissue features a second disc comprising nine demos, five of
which are songs that were not originally included.
This is also
the tenth installment of the McCartney Archive Collection, which are classic
album reissues supervised by Sir Paul himself. It follows the Wings classic Band
on the Run, the solo albums McCartney,
McCartney
II, Ram,
the live album Wings
Over America, Venus
and Mars, Wings
at the Speed of Sound, Tug
of War, and Pipes
of Peace. Each of these contains a treasure trove of extra songs not
found on the original release. The first release in the collection came out in
2010, and McCartney has continued to put them out while also maintaining a full
worldwide touring schedule and releasing two new albums: Kisses
on the Bottom, a collection of covers with two original songs, and NEW,
containing all-new material.
Next week
offers a similar treat when Fleetwood
Mac reissues their 1987 album Tango
in the Night in honour of its 30th anniversary. The standard edition is
a remaster of the original album, while the expanded
edition will include a second disc that offers a number of outtakes and
rarities from the recording sessions. The album is notable for being the last
to feature Fleetwood Mac’s “classic” lineup of Mick Fleetwood, Stevie Nicks,
Lindsey Buckingham, and John and Christine McVie. It also experienced a
resurgence in 2014 after the song “Seven Wonders” was featured in the season
finale of American
Horror Story: Coven, a season in which Stevie Nicks appeared as herself
on the show.
This year
also marks the 40th anniversary of their iconic album Rumours,
which was released in February of 1977. One of the bestselling albums of all
time, it received the reissue treatment in 2013, an expanded three-disc edition
that includes live tracks as well as early takes of the album’s songs. The band’s
other albums to feature their most well-known lineup are Fleetwood
Mac (1975), Tusk
(1979), and Mirage
(1982). Although Tango in the Night was
their last album together, they do still perform live.
Paul
McCartney and Fleetwood Mac are stellar artists who have been making
outstanding rock music for decades. These new reissues of classic albums are
the perfect opportunity to share their work with your music-loving patrons.
Written by Jon Williams
The new year is upon us. We
noted before 2016 ended that it was, in many ways, a difficult year in pop
culture. With the beginning of 2017, however, we have an opportunity to wipe
the slate clean, to rinse out whatever bad taste might be lingering in our
mouths, and get a fresh start. With that in mind, here are just a few of the
cool pop culture projects on the horizon for this year.
For your patrons who like superheroes, there’s a
lot to be excited about. It starts in March with Logan, which will be star Hugh
Jackman’s last hurrah as Wolverine.
In May, the second volume of Guardians of
the Galaxy will follow up the 2014
blockbuster detailing the first adventure of the galactic team of misfits.
Then in June, Spider-Man: Homecoming
gives a solo adventure to Tom Holland as the webslinger, following his
scene-stealing appearance in last summer’s Captain America: Civil War. Later in
the year, Thor: Ragnarok sees Chris
Hemsworth return as the god of thunder for his first standalone since The Dark World. For those who prefer
DC to Marvel, fear not: Wonder Woman gets her own movie in June, as Gal
Gadot builds upon her small role in Batman v. Superman: Dawn of Justice.
In November, the DC heroes come together for Justice League, much like Marvel’s The Avengers.
Quite a few popular films and series have sequels or
new installments coming to theatres in 2017. Keanu
Reeves is back for a second action-packed round of John Wick in February. The Fast and the Furious gang is back in
April for the highly anticipated The Fate
of the Furious. May’s Alien: Covenant
brings Ridley
Scott back to the director’s chair for a movie that bridges the gap between
Prometheus and Alien. The popular rebooted Planet of the Apes series continues
in July with War for the Planet of the
Apes. October’s still-fairly-mysterious God
Particle is the third installment of the Cloverfield series. In December, the
Barden Bellas return for a third Pitch Perfect movie. And one of the
most anticipated movies of the year also opens that month: the as-yet-untitled Star Wars: Episode VIII, which will pick
up where The Force Awakens left off.
The Force
Awakens itself, of course, is a series continuation, coming after—depending
on your point of view—1983’s Return of the Jedi or 2005’s Revenge of the Sith. Either way, it
was a long time for fans to wait. The same can be said for a pair of
long-awaited sequels finally coming in 2017. First up is T2 Trainspotting, which sees Ewan
McGregor and the rest of the cast from the beloved 1996 original return and
reunite. Then, in October, Harrison
Ford resurrects yet another of his iconic characters for Blade Runner 2049, which comes 35 years
after its sci-fi masterpiece predecessor.
There are also some intriguing book adaptations on
the way. Coming later this month is A Dog’s Purpose, and who’s not a
sucker for a good dog story? That’s followed next month by Fifty Shades Darker, the second
installment in the publishing (and now film)
phenomenon by EL James. Christian audiences can look forward to The Shack in March, based on William
Paul Young’s 2007
bestseller. The hit young adult novel Wonder by R.J. Palacio comes to
theatres in April, starring Room’s Jacob
Tremblay. In October, Jo Nesbo’s bestseller The
Snowman becomes a big-screen adventure. And there is also a pair of highly
anticipated Stephen King adaptations on the way. First up, at the end of July,
is The Dark Tower, based on his multi-book
magnum
opus. In September, there’s It,
one of his most popular books,
which was previous made into a TV
miniseries in 1990.
But that’s not all! In addition to movies,
television (including streaming services) has become a hot place for book
adaptations to land. Available today on Netflix is A Series of Unfortunate Events, from the popular kids’ fantasy
series. Rationing out those eight episodes will help pass the time until
April, which is a big month. On April 26, Margaret Atwood’s dystopian The
Handmaid’s Tale comes to Hulu. On the 30th, NBC will premiere Midnight, Texas, based on a series by Charlaine
Harris, who also wrote the books that HBO’s True
Blood was based on. Also that month, Neil Gaiman’s fantasy epic American Gods will debut on Starz. Then,
at some point later this year, HBO will have Cormoran Strike, a limited 7-hour series adapted from Robert
Galbraith/J.K. Rowling’s mystery novels The
Cuckoo’s Calling, The
Silkworm, and Career
of Evil.
So that’s just a scratch of the surface of what’s
coming in 2017, and that’s without venturing into music or audiobooks. Please
let us know what you and your patrons are most looking forward to in the comments
section below.
Written by Jon Williams
It was a
cruel and heartbreaking year in the entertainment industry, with the passing of
so many larger-than-life figures, so many of them in unexpected fashion. And
unfortunately, 2016 ended much the same way it began. Our first
blog post of the year reflected on the passing of David
Bowie, and it was followed
up a week later with one memorializing Alan
Rickman and Glenn
Frey. It got no easier from there; some of the notable names we lost in
2016 include Abe
Vigoda, Harper
Lee, Garry
Shandling, Patty
Duke, Merle
Haggard, Doris
Roberts, Prince,
Muhammad
Ali, Anton
Yelchin, Elie
Wiesel, Garry
Marshall, Juan
Gabriel, Gene
Wilder, Arnold
Palmer, Leonard
Cohen, Leon
Russell, Florence
Henderson, Alan
Thicke, and Zsa
Zsa Gabor.
Seeing those
names all listed together, it’s a pretty stark list of so many talented people.
And sadly, even the holiday season offered no respite. On December 24 we lost Richard
Adams, author of the classic Watership
Down (which George R.R. Martin called “one of the three great fantasy
novels of the twentieth century”) as well as several other well-received novels.
Then, the next day, came the passing of pop superstar George
Michael, a groundbreaking figure in popular culture who won a Grammy Award
for Album of the Year for his debut solo album, 1987’s Faith.
On Monday of
this week, Carrie
Fisher passed away. Fisher, of course, will forever be most associated with
her role playing Princess Leia in Star
Wars Episodes IV-VI, and then
later in The
Force Awakens, but there was much more to her than just that one role,
iconic as it may be. In addition to her acting career, she was also an
acclaimed writer, responsible for the semi-autobiographical novel Postcards from the Edge, as well as the
screenplay for the
film starring Meryl Streep and Shirley MacLaine. Her one-woman show Wishful
Drinking was turned into a successful book, and her most recent memoir,
The
Princess Diarist, was released earlier this year. What many fans don’t
know is that she put her writing talent to good use during her Hollywood
career, serving as an uncredited “script doctor” to punch up dialogue for such
films as the
Star Wars prequels, Hook,
Sister
Act, Scream
3, and The
Wedding Singer, among others.
What makes
the story even sadder is that Fisher’s mother, Debbie
Reynolds, passed away just one day later. An actress, singer, and dancer,
Reynolds earned a Golden Globe nomination at the age of 18 for Most Promising
Newcomer, and her breakout came when she starred opposite Gene Kelly in 1952’s Singin’
in the Rain. She followed that up with roles in films like The
Affairs of Dobie Gillis, Bundle
of Joy, and The
Unsinkable Molly Brown. More recent performances included a recurring
role on Will & Grace and as
Liberace’s mother in Behind
the Candelabra. She even did some voice acting, starting with Charlotte’s
Web in 1973 and continuing through The
Penguins of Madagascar. The relationship between Reynolds and Fisher is
explored in the documentary Bright Lights,
which will air on HBO next month.
As we get
set to watch the ball drop on 2016 this weekend, we can only hope that the
coming year will be a kinder one. In the meantime, libraries can help keep the
memories of all these wonderful performers alive by sharing with patrons the
incredible work they left behind.
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