Written by Jon Williams
We’ve noted
before that 2016 has been a difficult year in the entertainment industry,
having already lost a number of notable names. Sadly, that trend held true this
week with the passing of Garry Marshall, the legendary writer, director, and producer
of comedies for the screen both big and small. He was 81 years old.
Marshall
actually studied for a career in journalism, but he soon found his footing as a
comedy writer. The early to mid-1960s were quite a busy time for him. He
started off writing sketches for The
Tonight Show when Jack
Paar was the host, which soon led to gigs writing for some of the most
popular sitcoms of the era, such as The
Dick Van Dyke Show, The
Lucy Show, and Gomer
Pyle, USMC. In 1970 he had another hit on his hands when he, along with
partner Jerry Belson, adapted Neil Simon’s play The Odd Couple into the beloved TV
series starring Jack Klugman and Tony Randall.
And that’s
where Marshall’s TV career really skyrocketed. In 1974 he created the iconic
show Happy
Days, that idyllic look at American life in the 1950s and ‘60s through
the eyes of the Cunningham family. Spinning off from that show in 1976 came Laverne
& Shirley, which starred Marshall’s sister Penny. Then, in 1978, he
scored a real coup when he discovered Robin Williams and cast him as the title
alien in the show Mork
& Mindy, thus changing the face of comedy forever.
If that were
all the credits to Garry Marshall’s name, that would still be a pretty
outstanding career. But that’s not all by any means. Having worked exclusively
in television to that point, in 1982 he stepped into the director’s role for
his first feature film, Young Doctors in
Love (currently unavailable). One of the movie’s cast members was Hector
Elizondo, who became one of Marshall’s closest friends and would go on to have
at least a minor role in each of his movies to come. And what movies they
were—Marshall’s directorial credits include such well-loved films as Beaches,
Pretty
Woman, Runaway
Bride, and The
Princess Diaries. His final films were a trio of holiday-related
ensemble comedies: Valentine’s
Day, New
Year’s Eve, and this year’s Mother’s
Day.
Garry
Marshall had a stellar career in comedy, and by all accounts he was as fine a
person as he was an entertainer. His voice will be sadly missed, but library
patrons can continue to enjoy and explore his hilarious and timeless work. Make
sure you have all the classics listed above on your shelves, and you can
SmartBrowse his name on our website for more selections.
Written by Jon Williams
Theatregoers
heading to the box office this weekend will be faced with a plethora of
choices, as usual, but for many of them it will come down to one big one: will
it be Independence Day: Resurgence, opening
nearly twenty years after the
original, or will it be Finding Dory,
the charming animated sequel to Finding
Nemo, now in its second week of release? Tough call. And it won’t get
any easier next weekend, which sees the opening of two new adaptations of
beloved classic books.
One of these
is The BFG, which is based upon the 1982
novel by whimsical children’s author Roald Dahl. Brought to the screen by
director Steven
Spielberg (and with a soundtrack
by John Williams), it tells the fantastical tale of an orphan named Sophie, who
is kidnapped by what turns out to be a Big Friendly Giant (hence the title), an
outcast who needs her help to stop a band of giants with the not-so-friendly
tendency to eat other children. This is the first live-action version of The BFG to be produced; a made-for-TV
animated version came out in 1989.
The other
adaptation coming to theatres next week is The
Legend of Tarzan, starring Alexander
Skarsgard as the fabled man raised in the jungle by apes after the death of
his parents. The character originated in the 1914 novel Tarzan
of the Apes by Edgar Rice Burroughs and continued on through a number
of sequels.
Burroughs was a prolific writer in the sci-fi and fantasy genres; he also wrote
the Barsoom series (beginning with A
Princess of Mars) that eventually spawned the film John
Carter.
Tarzan,
though, is far and away Burroughs’s most famous creation; he is, in fact, one
of the most well-known characters in fiction, due in part (or maybe even
primarily) to the sheer number of movies and TV shows in which he has featured.
The most pervasive of these is a series
of films starring gold medal-winning Olympic swimmer Johnny Weissmuller in
the title role. One of the most successful TV
series starred Ron Ely and ran from 1966-1968. Not surprisingly, Disney
made the most popular animated
version in 1999, with a star-studded voice cast and a soundtrack
by Phil Collins.
So if
history is any indication, both of these movies are sure to be quite popular,
and patrons will be looking for related material (and, as always, you can
search on our website for even more). Let us know which one you’ll be seeing
when it’s released, and stay tuned in the coming months for DVD and Blu-ray
release date information on these exciting new movies.
Written by Jon Williams
When you see a photo of writer Joe Hill, it’s easy to note
the resemblance he bears to another novelist famous in the horror genre. It’s
no secret now that Stephen
King is Joe’s father, but that wasn’t always the case. When he was starting
out, Joe wanted to make sure any success he achieved was on the merits of his
work rather than as a result of a famous name, particularly as he knew his work
would be in a similar orbit, genre-wise. Therefore, he dropped the last name of
“King” and shortened his middle name (Hillstrom) to create his pseudonym.
A fact like that can only remain a secret for so long,
though (a fact King learned himself with his own pen name, Richard
Bachman). The news of Hill’s parentage broke around the same time his first
novel was published in 2007. That novel, Heart-Shaped Box, is a seriously
creepy story of aging rock star Judas Coyne, who buys a dead man’s suit—and the
ghost that comes with it—over the Internet. The novel won both the Locus and
Bram Stoker Awards for Best First Novel, proving definitively that Hill’s work
was capable of standing on its own under any name he chose.
His second novel came three years later, in 2010. Horns is a haunting, tragic love
story of a young man accused of his girlfriend’s murder, and the bizarre
transformation his rage brings upon him. It has since been adapted into a
film starring Daniel Radcliffe as the man in question, Ignatius Perrish. Hill’s
third novel, and most widely acclaimed so far, NOS4A2 (a vanity plate spelling of Nosferatu) came out in 2013, about a
woman desperate to save her son from the clutches of a soul vampire.
While these gaps between books may seem abnormally long for
a popular novelist, the multitalented Hill is far from idle during those times.
Starting in 2008, he teamed up with artist Gabriel Rodriguez for Locke & Key, a dark fantasy comics series revolving around
an old house and the mysterious, powerful keys that open the doors there. The
last issue was published in 2013, and in 2015, it was adapted into a full-cast
audio drama, and recently it was announced that a second attempt will be
made to develop it into a television series as well. In 2013-14, Hill wrote the
comics miniseries Wraith, which ties
into NOS4A2 but also works as a
standalone. Additionally, his short story
“The Cape” was
adapted into a comic by Jason Ciaramella.
And now comes Hill’s fourth novel, The
Fireman, published earlier this week. In it, the world has been
decimated by a spore that causes people’s skin to break out in markings known
as Dragonscale…until they eventually spontaneously combust. Into this world
steps a man known as the Fireman, who has learned not only to manage the
condition, but to use it. With this novel, Hill fully embraces his heritage,
calling to mind the post-apocalyptic world his dad brought to the page in The
Stand. Of course, that’s not to suggest that he’s rejected that
heritage before—the two of them have fun with it, and have actually
collaborated. Throttle
is a tribute to classic horror writer Richard Matheson, while In
the Tall Grass is an original novella the two wrote together.
The Fireman has
drawn rave reviews, and will no doubt be one of the hits of the summer. Make
sure you have plenty of copies for your patrons, as well as his past work for
those who have yet to discover this relatively new talent.
Written by Jon Williams
Captain America: Civil
War landed in theatres last Friday and dominated the box office, and it
looks to do the same this weekend. It tells the story of an ideological rift in
the superhero team that leads to conflict between Captain America and Iron Man,
as well as their various allies. It’s the latest installment in Marvel’s
cinematic universe that dates back to 2008. In the eight years since, there
have been a number of films and TV shows that have contributed to this
universe, with plenty more on the horizon, and it can be difficult to keep up
with everything that’s out here. With that in mind, here’s a look at what you
need to know about this ultra-popular series.
The whole shebang began in 2008 with Iron Man, in which Robert Downey Jr.
plays billionaire playboy and technological genius Tony Stark, who fashions a
powered armor suit for himself after being abducted by terrorists. Shortly
thereafter came The Incredible Hulk, with Edward
Norton in the role of Dr. Bruce Banner and his rage-fueled alter ego. Iron Man 2 was the first sequel in
2010. Then, in 2011, two new superheroes were introduced: Thor starred Chris Hemsworth as the
god of thunder, and Captain America: The First Avenger
told the WWII-era origin story of Steve Rogers (Chris Evans) and brought him
into the modern day. In 2012, Marvel brought Phase One of their cinematic
universe to a close by assembling all these heroes (plus a couple of others,
and replacing Edward Norton with Mark Ruffalo as the Hulk) into an unstoppable
fighting force known as The Avengers.
Phase Two began with movies featuring three of the
individual avengers: Iron Man 3 and Thor: The Dark World in 2013 and Captain America: The Winter Soldier
in 2014. That year also saw the introduction of a new team, more aliens and
misfits than superheroes: Guardians of the Galaxy was popular
almost as much for its classic rock soundtrack as for its fun and action-packed
plot. In 2015, the Avengers came together once again for Age of Ultron; then, for the first
time in Phase Two, another individual superhero made his entrance in the form
of Paul Rudd’s Ant-Man.
Captain America: Civil
War, which is the first film in Phase Three, actually seems much more like
an Avengers movie. While the Hulk and Thor are absent, the other members of the
team, including War Machine (Don Cheadle), Falcon (Anthony Mackie), Black Widow
(Scarlett Johansson), and Hawkeye (Jeremy Renner), all play prominent roles. In
addition, it also provides an origin for a new Spider-Man (Tom Holland), who
will be rebooted into this Marvel universe with Homecoming in 2017, and introduces Black Panther (Chadwick
Boseman), who gets an individual movie in 2018. Next on Marvel’s docket is Doctor Strange, starring Benedict
Cumberbatch, which releases in November; other films to look forward to include
a second Guardians of the Galaxy and Thor: Ragnarok (2017), Ant-Man and the Wasp (2018), and a
two-part Avengers Infinity War (2018
and 2019).
And of course, those are just the movies; the MCU has spread
to the small screen as well. It started in 2013 with Agents of S.H.I.E.L.D., which airs
its two-hour Season 3 finale next Tuesday. Starring Clark Gregg as Agent Phil
Coulson, it deals with the government agency tasked with countering enemies
like Hydra that pose monumental threats to humanity. In early 2015, it was
joined on the airwaves by Agent Carter,
in which Hayley Atwell plays Peggy Carter, a secret agent in the 1940s who
works often with Howard Stark (Iron Man’s father) and played a large role in
Captain America’s back story. Daredevil
(starring Charlie Cox as a blind crime-fighter) and Jessica Jones (starring Krysten Ritter as a traumatized former
superhero who now runs a detective agency) both debuted in 2015 as well. All
those shows are ongoing (with the exception of Agent Carter, which will not continue past its second season), and
Marvel has plenty more in the offing. Luke
Cage (Mike Colter) will premiere at the end of September, and Iron Fist (Finn Jones) is filming now. A
bit further down the line, once those two series have begun, the TV superheroes
will get their own team-up in the form of The
Defenders, currently slated for sometime in 2017.
(Please note: Daredevil
and Jessica Jones are not yet
available in a physical format. Agents of
S.H.I.E.L.D. (beyond the first season) and Agent Carter are currently unavailable to us, but are expected to
become available at some point. We’ll keep you posted.)
The box office numbers for Captain America: Civil War show that the popularity of Marvel and
its characters and stories continues unabated. As their universe grows, make
sure you have these movies and shows on your shelves for fans who want to
relive them and for new converts who want to catch up.
Written by Jon Williams
I was dreaming when I wrote this; forgive me if it goes astray.
Last week we
received yet another stark reminder that 2016 has been a terrible year in terms
of losing beloved entertainers far too soon. When news started coming through
on Thursday that Prince had died at age 57, it seemed like it had to be a hoax;
when that news was confirmed not long after, it seemed like a bad dream.
Born in 1958
in his beloved Minneapolis as the son of two musicians, Prince showed an early
aptitude for music. He parlayed that into a recording contract with Warner
Bros., and his first album, For You, was released two months before his 20th birthday.
Displaying the full range of his talent, he wrote all the songs on the album,
played all the instruments, and even produced it himself. It was with his
second album, 1979’s Prince, that he started to garner
the type of attention that would follow him for the rest of his life. It was
his first platinum album. The albums Dirty Mind (1980) and Controversy (1981) landed him his
first appearance on Saturday Night Live
and an opening spot for the Rolling Stones, as well as his own first headlining
tour.
Then came
the period that transformed Prince from a talented and popular musician into a
legend. The album 1999, released in late in 1982,
contained the party anthem title track, as well as the hit “Little Red
Corvette,” and achieved multi-platinum sales status. Then, in 1984, Prince
starred in the semi-autobiographical movie Purple Rain. The film itself was
only a minor hit; the resulting
soundtrack, on the other hand, became one of best albums of the decade and,
perhaps, of all time. Mixing pop and rock sensibilities, it contained the
classics “Let’s Go Crazy” and “When Doves Cry” in addition to the title track.
He would go on to release four more albums in the ‘80s, as well as the soundtrack
to the blockbuster Batman movie starring Michael
Keaton.
Because of
his immense success during this period, Prince will always be associated
primarily with the music of the 1980s, but he wasn’t done with movies, either.
In 1986 he made his directorial debut with Under the Cherry Moon, and in 1987
he put out a concert film to accompany his album Sign o’ the Times. His final film
role was in 1990’s Graffiti Bridge, a sequel to Purple Rain. And of course, he continued
to put out thought-provoking, envelope-pushing music. He released twelve albums
in the ‘90s, including nine after he changed his name to a symbol and could
only be referred to as “the artist formerly known as Prince.” He went back to
being Prince in 2000, and followed that up with twelve more albums from
2001-2010. There was a break in album releases after that point, which came to
an end with two albums released simultaneously in 2014: Plectrumelectrum, with the backing
band 3rdeyegirl, and the solo effort Art Official Age. Then last year
came HITnRUN Phase One; the follow-up, HITnRUN Phase Two, is available on
CD starting tomorrow.
Obviously,
an artist as dynamic and prolific as Prince can’t be adequately summarized in a
post like this. The best thing for patrons who aren’t familiar with his music,
or just know the hits, would be to check it out for themselves, to discover his
talent and why he had so much influence on a generation of musicians. See our
website to put his CDs and movies (as well as a
biography) on your shelves. If your library is like most, there’s probably
quite a high demand for his music right now, with a long list of holds for his
albums. Be sure to let your patrons know, if you participate in hoopla, that
many of his albums and
compilations are available there. hoopla is one of the only services to
offer his music for streaming, and it’s available to patrons immediately, with
no holds.
Written by Jon Williams
Rumours have been swirling for quite some time, but the news
finally became official earlier this week. Harrison Ford will once again don
the fedora and brandish the whip as Indiana Jones for the fifth film in the
series, set to hit theatres in 2019. Steven
Spielberg is back to direct, but George
Lucas, who shaped the stories of the first four installments, will not be
involved.
Ford’s portrayal of the adventurous archaeologist dates back
to 1981’s Raiders
of the Lost Ark, in which he must prevent the Nazis from seizing and
using the Ark of the Covenant to achieve world domination. It was followed in
1984 by Indiana Jones
and the Temple of Doom, which was actually set before the first film,
and the level of violence contributed to the creation of the PG13 rating in the U.S. by the
MPAA that same year. The third film, Indiana
Jones and the Last Crusade, came in 1989, and featured the addition of Sean
Connery to the cast as Indy’s father.
After The Last Crusade,
there was a nineteen-year break before the fourth film. Indiana
Jones and the Kingdom of the Crystal Skull moves the series ahead from
the 1930s to 1957 and replaces the Nazis with the Soviets as antagonists. It
seemed as though that movie was a chance for Ford and Jones to pass the torch to
Shia
LaBeouf and continue the series with a younger lead, but apparently that
was not the case. LaBeouf is unlikely to return for the new film, although it
is a possibility.
Of course, fans who were “jonesing” for more Indy didn’t
have to wait out that whole nineteen-year period without a fix. The
Young Indiana Jones Chronicles was a television series that ran for two
seasons starting in 1992, and then was revived for four TV movies from
1994-1996. (Please note: for the DVD release, the movies were edited into
episodes, and the episodes from both seasons and the movies appear
chronologically by when they were set, rather than in the order they originally
aired.)
By the time the next film releases in 2009, that will be an
eleven-year gap between movies, and Ford will be 77 years old. Of course, he’s
certainly no stranger to reprising iconic roles after many years away. Star
Wars: The Force Awakens, one of the biggest blockbusters of all time,
starred Ford in a central role as Han Solo, a character he hadn’t played since Return
of the Jedi in 1983. Also, coming in 2018, Ford will appear as
replicant/hunter Rick Deckard in the sequel to the 1982 sci-fi classic Blade
Runner, directed by Ridley
Scott and based on a novel
by Philip K. Dick.
Ford has been a big name in Hollywood ever since his first
starring role in the original Star Wars
in 1977. Over the course of his long career he’s put together a very impressive
filmography. So, are there any other characters you’d like to see him
resurrect? A return to Jack
Ryan, perhaps? Let us know in the comments section below, or tell us about
favourite Ford movies or fun Indy memories.
Written by Jon Williams
The Academy
Awards, honouring the year’s best movies and performances, were handed out last
Sunday night. As the ceremony wound toward its conclusion and the most
high-profile awards started being given away, you could feel the anticipation
building. Would this finally be the year that Leonardo diCaprio, widely
considered one of the biggest talents in cinema today, finally walked away with
a coveted acting award with this, his fifth nomination?
It was. When Julianne Moore read out his name as the
year’s Best Actor, a wave of jubilation swept through the actor’s fans all
across the country and around the world. He won for his role in The
Revenant, a gritty portrayal of a man left for dead in the wilderness
of the American frontier. The film itself was up for a whopping total of twelve
Academy Awards, winning three—aside from Best Actor, it also won for Best
Cinematography and Best Director for Alejandro G. I ñárritu (who won the same award last year for Birdman).
The film is based on a historical novel
of the same name by Michael Punke, whose position within the U.S.
government prevents him from even talking
about his book.
DiCaprio has
been in the acting game for a long time. He got his start in 1990 at the age of
15 in the short-lived TV series Parenthood, based on the Steve Martin movie
of the year before. He also appeared in an episode of Roseanne,
and had a recurring role on Growing
Pains. He was working his way into film around the same time, getting
his break in 1993’s This
Boy’s Life (which was also the film debut of Tobey
Maguire). Then, later that year, he played the role of Arnie in What’s
Eating Gilbert Grape, earning his first Oscar nomination for Best
Supporting Actor (losing out to Tommy Lee Jones for The
Fugitive).
His star
would only rise from there as he would go on to participate in a number of
high-profile projects. In 1996 he headlined (alongside Claire
Danes) Baz Luhrmann’s modern-day adaptation of Shakespeare’s Romeo
+ Juliet. The following year came perhaps his best-known role, as Jack
Dawson in James Cameron’s Titanic.
The tale of doomed romance between DiCaprio and Kate Winslet propelled Titanic to a new all-time box office
record at the time. From there he went on to work with such famous names as
Woody Allen (Celebrity), Martin
Scorsese (Gangs
of New York), and Steven Spielberg (Catch Me
if You Can).
In 2005,
eleven years after his first nomination, DiCaprio finally scored a second Oscar
nomination, this time for Best Actor, for another Scorsese-helmed feature: The
Aviator, a biopic of the eccentric genius Howard Hughes. This time he
lost to Jamie Foxx for Ray.
He wouldn’t have to wait as long for the next one, as he was nominated again in
2007 for Blood
Diamond—that award went to Forest Whitaker for The
Last King of Scotland. He wasn’t nominated again until 2014, when he
was recognized for The
Wolf of Wall Street, and the award went to Matthew McConaughey for Dallas
Buyers Club.
And all this
is to say nothing of the incredible roles he played that weren’t nominated by
the Academy. Leonardo DiCaprio has had quite a varied and interesting acting
career, and at just 41, it’s safe to say that moviegoers still have quite a lot
to look forward to. SmartBrowse his name on our website for more of his movies,
and while you’re there, don’t miss our collection of all this year’s other Academy
Award winners.
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