Written by Kyle Slagley
Earlier this year, beginning in March to be exact, it seemed
like everyone was talking about The Bible – The Epic Miniseries that
ran every Sunday on the
History Channel. The miniseries consisted of ten episodes and History ran
two episodes per Sunday—because March contained five Sundays in 2013, the
series was perfectly timed so that the final episodes depicting Jesus’
crucifixion and resurrection were aired on Easter Sunday, March 31.
The miniseries set viewing records consistently during
March, and after reruns, syndications, and translations for foreign airings,
over 100 million people viewed the saga. In its first week on DVD and Blu-ray,
it sold over half a million copies, making it the fastest-selling TV show on
disc since 2008.
Now, the big news concerning the series is that it will be
heading to the big screen in an abridged adaptation titled Son of God. Husband-and-wife producing duo Roma Downey (of Touched by an Angel fame) and Mark
Burnett (whose production credits include Survivor,
The Apprentice, and The Voice),
announced earlier this week that the final five episodes of the miniseries
would be condensed into a 2.5-hour feature film and would release on February
28, 2014 – the Friday before Ash Wednesday.
Just prior to the miniseries premiere, Downey and Burnett
released a novel titled A Story of God and All of Us that
debuted at No. 27 on the NY Times
Bestseller list. Considering the success of The
Bible, it’s unsurprising that NBC has already commissioned a follow-up from
Downey and Burnett. Little is known about the project, other than that it will
portray the early days of Christianity and will be titled A.D.: Beyond the Bible; there is no known premiere date yet.
The year 2014 is shaping up to be a year of multiple
biblical blockbusters, in fact. In addition to Son of God releasing on February 28, a feature film about the Great
Flood will also release exactly one month later on March 28.
Noah, starring Russell
Crowe, Emma
Watson, Jennifer
Connelly, and Anthony
Hopkins, has been in development for some time. The storyline is, well,
fairly self-explanatory: it’s the story of Noah, his ark, and the Great Flood.
The real twist in the coming adaptation, from what I understand, is that far
from the grand and majestic Noah we all came to know in Sunday School, Crowe’s
Noah will be a much more conflicted man who struggles with survivor’s guilt,
making him much more relatable.
With Easter Sunday on April 20 next year, moviegoers will
have ample time to see both films before the holiday. For a larger selection of
biblical films and adaptations, check out our collection here.
Written by Jon Williams
Nominees for
the Rock and Roll Hall of Fame’s class of 2014 have been announced. It’s a
diverse list that features grunge pioneers, glam superstars, hip-hop legends,
disco dynamos, and more. The full list includes: the
Paul Butterfield Blues Band, Chic,
Deep
Purple, Peter
Gabriel, Hall & Oates, Kiss,
LL
Cool J, the
Meters, N.W.A.,
Nirvana,
the
Replacements, Linda
Ronstadt, Cat
Stevens, Link
Wray, Yes,
and the
Zombies.
Of course,
not all of these bands and artists will make it, deserving though they may be.
Inductees will be determined by a panel of 600 voters, among them music critics
and industry insiders, as well as previous inductees. In addition, fans have a
chance to vote at rockhall.com/vote.
The top five vote-getters from the list
above will be tallied into an official ballot that will count as one of the 600
votes to determine the inductees.
The winners
will be inducted in April of 2014 in New York (the Hall itself is in Cleveland,
Ohio). The induction ceremony includes a
concert that has, over the years, turned into quite an event unto itself,
featuring performances by and collaborations among music legends. The ceremony
and concert will be broadcast on HBO.
Artists are
eligible for the Rock and Roll Hall of Fame 25 years after the release of their
first single. This is Nirvana’s first year of eligibility. The 2013 class was
made up of Heart,
Albert
King, Randy
Newman, Public
Enemy, Rush,
and Donna
Summer.
SmartBrowse 'Rock and Roll Hall of Fame' on our website for more CDs from previous nominees and inductees, as well as CDs and DVDs from induction concerts.
Written by Jon Williams
Country-pop
starlet Taylor Swift is taking her talents to the silver screen once again. It
was recently announced that the singer would join the adaptation of Lois
Lowry’s young adult novel The Giver.
The cast already includes such notable names as Meryl Streep, Jeff Bridges,
Katie Holmes, and Alexander Skarsgard.
The
Giver was originally published in 1993, to much acclaim. Set in a society
in which emotion has been removed, it tells the story of Jonas, the “Receiver
of Memory,” a young boy who holds the memories of a time when emotion still
held sway, in case that experience is ever needed. The book won the coveted
Newbery Medal in 1994. It was Lowry’s second time receiving the award; she won
it first for 1989’s Number
the Stars. She has since followed up The Giver with three loosely related novels: Gathering
Blue, Messenger,
and Son.
Although it
seems like she’s been around forever, Swift is still just 23 years old. She
broke out in a big way in 2006, when she was sixteen. Her first single “Tim
McGraw” touched a chord with teenagers all over the world, and her eponymous
debut album spent 24 weeks atop Billboard’s country chart and went platinum
many times over. Since then she’s become a bona fide sensation, scoring similar
success with each following album: Fearless,
Speak
Now, and Red.
Obviously,
though, music isn’t Swift’s only artistic interest. After appearing in an
episode of CSI
and hosting Saturday Night Live in 2009,
she made her full-fledged acting debut in 2010’s ensemble romcom Valentine’s
Day (and also contributed two songs to the soundtrack).
In 2012, she voiced the character Audrey in the animated feature The
Lorax. Most recently she guest starred in an episode of New
Girl that aired in May. The Giver
will be her first acting work since then.
The Giver is a popular book for young
adults, and Taylor Swift’s involvement in the movie is sure to drive them into
a frenzy. Be sure to have the audiobook on hand for those who can’t wait until
August of next year, when the movie is scheduled to be released.
Written by Kyle Slagley
Certain movies fall into a group of “cult following staples,”
if you will. Among this group you will find films like Boondock Saints, The Big Lebowski, almost any movie
made by either Quentin
Tarantino or Kevin
Smith, and also American Psycho.
American Psycho started
as a novel
by Bret Easton Ellis that was published in 1991. It is a
stream-of-consciousness novel, narrated by the main character Patrick Bateman.
The film, released in 2000 and starring Christian Bale, follows the same
formula. The plots are also largely the same. Bateman is a 27-year-old Wall
Street protégé by day, and a sadistic serial killer by night. Both the novel
and the film were intended to be satirical interpretations of the narcissistic,
yuppie culture of the late ‘80s, and they both do a very good job of that…if
you can get past just how disturbing the plots are.
I won’t ruin the ending for you, but suffice it to say it’s
equally surreal.
Because the movie was, well, disturbing, imagine my surprise
when I read about American Psycho: The
Musical earlier this week. You read that correctly. American Psycho: The Musical is an actual thing, it’s currently in
rehearsals, and stars Matt
Smith, who has spent the last three years growing his fame playing the
infamous Doctor
Who. The show is set to run at the Almeida Theatre in London from December
3 of this year through January 25, 2014.
No word yet on if American
Psycho will make its way across the pond to Broadway, but if you’re really
curious, the show’s director Rupert Goold has been tweeting photos from
rehearsals that you can check out on
his feed.
Written by Kyle Slagley
This week, New York City and opera aficionados everywhere
bid farewell to a 70-year-old institution that unfortunately fell victim to the
economics of the times. The New York City Opera’s curtain fell for the final
time last Saturday after a performance of the production Anna Nicole, a modern opera about the late actress and model.
The NYCO has been plagued with budgetary constraints for the
last decade, and on Monday announced they failed to raise the $7M necessary to
save the current season. The organization began the bankruptcy filing process
this week.
The NYCO was established in 1943 as an alternative to the
Metropolitan Opera (commonly called ‘The Met’) and was dubbed “the people’s
opera” by then-Mayor Fiorello La Guardia. They offered younger singers –
particularly Americans – an opportunity that The Met did not, and they offered
the public more access to opera with cheaper ticket prices.
Opera is a very niche market for both libraries and the
general retail market and true opera fans are few and far between –
particularly outside those major cities that have an arts culture that thrives
enough to sustain an opera company. What may be surprising for some is that
common opera songs can be found, repurposed, in even the most common of places
– children’s cartoons, TV commercials, and even as hooks in pop or rap music.
Opera is simply the art of telling a story through song –
just like any other genre of music – but I think one of the biggest barriers
the genre faces with the general public is that most operas and nearly all the
classic operas are written in languages other than English, requiring
subtitles. As I said, though, chances are most of the public has heard some of
opera’s greatest songs and arias, they just don’t know it.
For more titles, simply SmartBrowse ‘Opera’ on our website.
To read more about the closing of the iconic New York City Opera, click
here.
Written by Jon Williams
If you see
an influx of patrons dressed in costume and carrying lightsabers this Saturday,
don’t worry. They’re just there to participate in Star Wars Reads Day, an international event to celebrate reading
and promote literacy.
The Star Wars franchise is most well known,
of course, for the movies: the original
trilogy of A New Hope (1977), The Empire Strikes Back (1980), and Return of the Jedi (1983), and the prequel
trilogy of The Phantom Menace
(1999), Attack of the Clones (2002),
and Revenge of the Sith (2005). The
animated The
Clone Wars also played in theatres in 2008, paving the way for a television
series that spanned five seasons before ending earlier this year. And of
course, it’s common knowledge that a new trilogy is on the horizon, with the
first installment slated for release in May of 2015.
While the
films will always be what comes to mind first when someone mentions Star Wars, there’s no doubt that the
books have expanded the universe and provided many hours of adventure for fans
of all ages. However, that wasn’t always the case. Although the original
trilogy created a huge number of fans for all things Star Wars, fandom went into a “dark time” following the release of Return of the Jedi in 1983, a period of
time when there was little new material to satisfy the craving for more. That
period was brought to a screeching halt in 1991 with the publication of Heir
to the Empire, the first of a three-book series by acclaimed sci-fi
author Timothy Zahn.
With the
announcement of more movies leaving the stability of the Expanded Universe
timeline in doubt, new books focus on eras that won’t be affected by the new
trilogy. The most recent addition, Razor’s
Edge, details Princess Leia’s struggle to establish a new base for the
fledgling Rebel Alliance. Two entries are currently scheduled for 2014: Honor
Among Thieves will begin a new series detailing the exploits of Luke
Skywalker, Han Solo, and Princess Leia after the destruction of the Death Star,
while Lockdown
will follow Darth Maul on a mission for his dark master.
These titles
will be in high demand for Star Wars
Reads Day on Saturday, but Star Wars
audiobooks are always a big hit. Be sure to SmartBrowse ‘Star Wars’ on our
homepage for a complete selection of titles we offer, and to stay up-to-date
with new titles as they’re announced.
Written by Kyle Slagley
This week marked an important week for all the Gleeks out
there, as the new album Glee Sings the Beatles hit shelves
on Tuesday. It takes quite a bit of gall to take arguably the most sacred band
in rock n’ roll history and pop-ify their work, but that’s exactly what the
kids at William McKinley High School did. Judging by how well the album is
selling, fans aren’t exactly complaining either.
After listening to the entire album, the Glee renditions I enjoyed most were
“Drive My Car,” “Here Comes the Sun” which features Demi Lovato, and “I Saw Her
Standing There.” Strangely enough, Glee
has covered Beatles songs in the past, and my favourite of their covers, “I Want
to Hold Your Hand” – sung by Chris Colfer, who plays Kurt, and which originally
appears on Volume
4 – was not included on this album.
Glee is far from
the first group to cover the Fab Four, nor will they be the last. Though many
of your patrons will be far too young to remember, or even know of the
performance, you cannot mention Beatles covers without mentioning Joe Cocker’s
rendition of “With a Little Help From My Friends” at Woodstock
in ’69 or Neil Young’s version of “Imagine” at the 9/11 TV tribute concert.
More recently, Mumford and Sons have been known to cover “Hey Jude” during
their concerts, and one of my favourite obscure cover finds (if you can get past
the crowd noise on the recording) on YouTube is Alice Cooper, Steven Tyler, and
Weird Al Yankovic singing “Come
Together” at a New Year’s Eve party in 2012.
When it comes to entire albums of Beatles cover songs, my
absolute favourite would be the Across
the Universe Soundtrack. The film
came out in 2007 and was another instance where the story was structured around
the music. It received mediocre reviews, but the soundtrack is still one of my
favourite soundtracks of all time.
For some, the first cover soundtrack to come to mind will be
the one that went with the first Beatles-oriented film, Sgt.
Pepper’s Lonely Hearts Club Band. The film,
starring Peter Frampton and the Bee Gees, was loosely based on the Beatles
album of the same name, but with a 15% on Rotten Tomatoes, I think I can
safely say the film was a total bomb. It is worth mentioning, though, that in
later years, after memories of the film had faded, affection for ‘70s nostalgia
and kitsch brought the soundtrack back into the light.
The fact is that there are too many different covers of the
Fab Four to mention in just one column, and they span all different styles: from
Beatallica
(who plays Beatles tunes in the style of Metallica), Roberta
Flack (who puts her R&B spin on the songs), to even Sesame Street and the
Chipmunks. Check out our collection
of Beatles cover albums Midwest Tape offers, and don’t forget to remind
your younger patrons about the original
band too!
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